Performing arts organizations face particularly difficult challenges during the COVID-19 pandemic.
The crazed sounds of motors, engines and various battery-powered wands, blowers and whackers fill the air. It’s like Mick Ronson’s pent-up guitar attack at the beginning of Bowie’s “Suffragette City.” Outside my window, a bluejay looks from side to side, as if expecting an airborne freight train.
Who will police the police? And whom do the police protect?