Opening:

Final Destination 3 (R) Ryan Merriman, Mary Elizabeth Winstead, Texas Battle, Gina Holden, Dustin Milligan. A third round of Rube Goldberg-style deaths in this morbid series that enjoys a large young audience. When a high school student fails to stop the fated roller coaster ride that she predicted would cause the deaths of several of her friends, she teams up with a schoolmate in a race against time to prevent the Grim Reaper from revisiting the survivors of the first tragedy. 92 minutes.

Firewall (PG-13) Harrison Ford, Paul Bettany, Virgina Madsen, Mary Lynn Rajskub, Alan Arkin. Jack Stanfield (Ford) is a bank security expert, whose specialty is designing infallible theft-proof financial computer systems. But there's a hidden vulnerability in the system he didn't account for: himself. When a ruthless criminal mastermind (Bettany) kidnaps his family, Jack is forced to find a flaw in his system and steal $100 million. With the lives of his wife and children at stake and under constant surveillance, he has only hours to find a loophole in the thief's own impenetrable system of subterfuge and false identities to beat him at his own game. 100 minutes.

The Pink Panther (PG) Steve Martin, Jean Reno, Beyonce Knowles, Kevin Kline, William Abadie. A world-famous soccer coach has been murdered and his priceless, legendary ring has been stolen - a ring set with the stunning diamond known as the "Pink Panther." The French government needs a master detective to solve the crime and recover the gem. But, he's not available, so they recruit none other than Inspector Jacques Clouseau (Martin). Who committed the crime: a stunning pop star, a soccer player, a Chinese assassin? And, can anyone solve the case? Clouseau and his partner, Ponton (Jean Reno), must unmask the murderer and keep their boss, Dreyfus (Kline), from taking credit for the victory - all without bringing the French legal system to a screeching halt. 92 minutes.

The White Countess (PG-13) Ralph Fiennes, Natasha Richardson, Lynne Redgrave, Vanessa Redgrave. Sadly, the last Merchant/Ivory film (producer Ismael Merchant died in 2005). The film really works with the story of a blind American diplomat (Fiennes) and a Russian countess turned dance hall girl (Richardson) in 1934 Shanghai growing closer together. When political turmoil rips through China, the film almost turns into a Far East Casablanca (minus the love triangle). Fortunately, not enough to spoil the entire film. 138 minutes. - Matt Socey

Limited Run:

Elevator to the Gallows (NR) Jeanne Moreau, Maurice Ronet, Georges Poujouly. Louis Malle's 1957 psychological thriller is imbued with a Parisian atmosphere and a moody, improvisational score by legendary jazz trumpeter Miles Davis. A beautiful woman, Florence, and her lover, Julien, plan to murder her husband (who happens to be Julien's boss as well) so they can be together. After carefully carrying out the crime, Julien gets stuck inside the elevator when the power is turned off. Expect numerous twists and turns. 92 minutes. At Key Cinemas Beech Grove for one week only.

First Run:

Annapolis (PG-13) James Franco, Tyrese Gibson, Jordana Brewster, Donnie Wahlberg, Chi McBride. Cliché-filled story about Jake (Franco), a kid from a poor family, trying to make it in the Naval Academy at Annapolis. The going is rough and things look bad, then a desperate Jake decides to enter the infamous Navy boxing competition known as the Brigade Championships, where he must face off against his arch-nemesis, Midshipman Lt. Cole (Gibson). Guess what happens. 108 minutes. - EJO

Big Momma's House 2 (PG-13) Martin Lawrence, Elton LeBlanc, Nia Long, Michelle Parylak, Marisol Nichols. Crappy slapstick sequel to the hit comedy about master-of-disguise, FBI special agent Malcolm Turner (Lawrence) running around dressed like an old lady. If you like the first one, here's more. 99 minutes. - EJO

Brokeback Mountain (R) Heath Ledger, Jake Gyllenhaal, Linda Cardellini, Anne Hathaway, Michelle Williams, Randy Quaid. The much ballyhooed "gay cowboy movie" is a sad, beautiful story of two young men tending sheep in 1963 Wyoming who have sex with each other one cold, liquor-laced night. So what does one cowboy say to the other on the morning after? Not much. "You know I ain't queer," Ennis mutters, to which Jack states, "Me neither." But the sex continues and turns to love, though they are unable to verbalize their feelings. Ang Lee (The Ice Storm) is a polite filmmaker, and he is perhaps a bit too polite with his adaptation of Annie Proulx's superb 1997 short story. Still, the production, packed with great acting (especially by Ledger and Gyllenhaal) in front of gorgeous scenery is a very good film, one of the best of 2005. 134 minutes. - EJO

Bubble (R) Debbie Doebereiner, Dustin James Ashley, Misty Dawn Wilkins, Omar Cowan, Laurie Lee. Steven Soderbergh (sex, lies and videotape, Ocean's Eleven) casts non-professionals with no previous acting experience for a tale of three employees at a doll factory in a small Ohio town. As a story, it is written in crayon. The really thick kind of crayon. As a statement about a part of the American landscape it is obvious and condescending. As a study of the human condition it is depressing and insubstantial. Bubble is best avoided unless you are a hard-core Soderbergh buff or a friend or relative of the one of the cast members. 73 minutes. - EJO

Capote (R) Philip Seymour Hoffman, Catherine Keener, Clifton Collins Jr., Chris Cooper, Bruce Greenwood, Bob Balaban, Mark Pellegrino, Amy Ryan. Capote focuses on the years Truman Capote spent writing his greatest book, In Cold Blood, the story of a murdered family in Kansas. Here we get to see the minutiae that made the man Capote a real piece of work. Philip Seymour Hoffman's Capote is as big a queen as Elizabeth II without any of the grace. As much of a character, even caricature, as Hoffman is in this movie, he somehow remains believable. Director Bennett Miller keeps scenes intense, slow and detailed, which balances out the large and sudden jumps in time. 98 minutes. - Lisa Gauthier

Charlie and the Chocolate Factory (PG) Johnny Depp, Freddie Highmore, Helena Bonham Carter, David Kelly, Noah Taylor. The Tim Burton family hit, now on the giant-screen at the IMAX Theater in the Indiana State Museum. 120 minutes.

The Chronicles of Narnia: The Lion, the Witch & the Wardrobe (PG) Georgie Henley, Skandar Keynes, William Moseley, Anna Popplewell, Tilda Swinton. The film is surprisingly simple, but generally effective, though it takes forever to get rolling. My guess is that children will enjoy the movie once they squirm their way through that boring early stretch. As for the adults - the acting is fine (standouts include Swinton, Keynes and Henley) and the special effects range from serviceable to positively striking (check out the detail on the lion). 140 minutes. - EJO

End of the Spear (PG-13) Louie Leonardo, Chad Allen, Jack Guzman, Christina Souza, Chase Ellison. A savage killer from a remote Amazon tribe becomes grandfather to the grandchildren of the North American man he killed. 111 minutes.

Fun with Dick and Jane (PG-13) Jim Carrey, Téa Leoni, Angie Harmon, Jeff Garlin, Alec Baldwin. When upscale married couple Jim Carrey and Téa Leoni find themselves in financial ruin due to the collapse of an Enron-style company, they decide the best way to maintain their quality of life is to become armed robbers. A remake of the 1977 Jane Fonda/George Segal comedy, which was based on the novel by Gerald Gaiser. 85 minutes.

Good Night and Good Luck (PG) David Strathairn, George Clooney, Robert Downey Jr., Patricia Clarkson. At just 90 minutes, "Good Night and Good Luck" is a taut, focused look at one pivotal moment. The film is in black and white and it looks absolutely great. The cast is outstanding, particularly David Strathairn as Murrow. Joe McCarthy appears as himself in perfectly integrated film clips. 90 minutes. - EJO

Glory Road (PG) Josh Lucas, Jon Voight, Derek Luke, Austin Nichols, Emily Deschanel. Glory Road isn't just a basketball movie. It's an important film about the recent, racist history of the United States and a team and coach who braved bigotry to make a difference. This film, which will be a perfect teaching tool for young people, may have little weaknesses — especially for basketball fans searching for problems — but all of that can be overlooked because of the big message. Be sure to stick around for the closing credits that feature documentary interviews with the real players and coach involved in the true-life story. - Jim Walker

Hoodwinked (PG) Voices of Anne Hathaway, Glenn Close, Jim Belushi, Patrick Warburton, Anthony Anderson, David Ogden Stiers, Xzibit, Chazz Palminteri, Andy Dick. Nice premise gets bogged down in the second-half by clichéd action-film thrills. When a film is 80-some minutes and 10 of it is padded with not good musical numbers and it feels too long, that's trouble. For those who think hearing Grannies say "Bring it" and snowboarding is really, really funny. 83 minutes. - Matthew Socey

King Kong (PG-13) Naomi Watts, Jack Black, Adrien Brody, Thomas Kretschmann, Colin Hanks, Andy Serkis, Evan Parke, Jamie Bell. Peter Jackson's reimagining/homage to the classic tale of beauty and a beast is impressive as hell, to be sure. It's also quite possibly the most self-indulgent movie ever made. The new Kong is slightly over three hours long, with far too many embellishments to the original story. Too much backstory about Ann Darrow (Watts) and various crew members of the adventure-bound ship (the first hour needs serious trimming). Too much about the mutual affection between Ann and Kong (wait until you see them playfully slipping and sliding on a frozen lake). Universal Studios' contract with Jackson mandated that the finished film be no longer than two and a half hours. King Kong would have been a better movie if they had held him to it. That said, Jackson's homage to his childhood favorite is a real corker. I'd add more adjectives, but I don't want to be indulgent. 188 minutes. - EJO

Last Holiday (PG-13) Queen Latifah, LL Cool J, Timothy Hutton, Giancarlo Esposito, Alicia Witt. It could have gone so awry. Latifah stars as a working-class woman who learns she only has weeks to live, and resolves to blow her savings on the vacation of her dreams. Along the way she and everyone she meets learn life lessons, love is found, life is affirmed, that sort of thing. Last Holiday never gives into tearjerking sentiment. Also, it's really, really funny, which is the point. Latifah heads up a cast of people who seem to be having fun with their roles, all of which are drawn from mistaken-identity stock comedy. 112 minutes. - PFPP

Looking for Comedy in the Muslim World (PG-13) Albert Brooks, Sheetal Sheth, John Carroll Lynch, Jon Tenney. The State Department asks Albert Brooks (playing a fictionalized version of himself) to fly to India and Pakistan, countries with large Muslim populations, where he will do research for a 500-page report on what makes them laugh. Of the seven films written and directed by Brooks, this is one of his weakest. There are laughs in Looking for Comedy, to be sure, but not enough of them. Sadly, the bulk of the fish-out-of-water comedy consists of tepid gags attached to a plodding storyline. 98 minutes. - EJO

The Matador (R) Pierce Brosnan, Greg Kinnear, Hope Davis, Philip Baker Hall, Adam Scott. Julian Noble (Brosnan) is a hit man who's very good at what he does, but is losing his taste for the business. Danny (Kinnear) is a salesman whose marriage and finances are in trouble. One night, at the hotel bar, these two men meet. Before long, they find themselves having an extremely unique Mexico City experience, one that will change them both forever. Julian the hit man, Danny the ordinary American businessman, find that while they have nothing in common, they both need each other in ways they never knew they would. 97 minutes.

Match Point (R) Jonathan Rhys Meyers, Scarlett Johansson, Emily Mortimer. A dark tale with a light touch. Match Point is a psychological thriller that revisits a couple of Allen's most durable themes, luck and guilt, then adds seduction to the mix to come up with a tale as delectable as vintage Hitchcock. This is ground that Allen's covered masterfully in the past, most notably in Crimes and Misdemeanors. While Match Point may not provide as many tones as that film (there's no comic relief, in other words, no Woody Allen stand-in), there's an authority in its craft, and an ingenuity to its denouement that makes it a pleasure in its own right. - David Hoppe

Memoirs of a Geisha (PG-13) Ziyi Zhang, Ken Watanabe, Michelle Yeoh, Gong Li. Based on the popular novel by Arthur Golden and directed by Rob Marshall (Chicago), Memoirs is the journey of a young peasant girl who is sold into the most prominent geisha household and grows up to become a legend.136 minutes. - Ellen Kizik

Mrs. Henderson Presents (R) Judi Dench, Bob Hoskins, Kelly Reilly, Christopher Guest, William Young. Based on the true story of London's Windmill Theater, the latest from director Stephen Frears stars Judi Dench as Laura Henderson, a widowed society woman in the 1930s who purchases the abandoned West End venue as a means to help her pass the time. 103 minutes.

Munich (R) Eric Bana, Daniel Craig, Marie-Josee Croze, Geoffrey Rush, Mathieu Kassovitz. Steven Spielberg's examination of the 1972 massacre of Israeli Olympic athletes and its aftermath is a neatly woven political thriller, reminiscent of morally murky spy thrillers of the 1960s and 1970s, but never quite finds the heart Spielberg is looking for. Don't expect Schindler's List-level greatness from this, but do take heart in the fact that Spielberg is stripping himself of the cloying sentiment that weighs down even his best historical films. Just enjoy the tension as Eric Bana leads a hit squad out to kill a group of terrorist masterminds, and marvel at how Spielberg can still stage an incredibly intense, nail-biting scene when the situation calls for it. 164 minutes. - PFPP

Nanny McPhee (PG) Emma Thompson, Colin Firth, Angela Lansbury, Kelly MacDonald, Thomas Sangster. In this fable for kids, magical Nanny McPhee (Thompson) enters the household of the recently widowed Mr. Brown (Firth) and attempts to tame his seven exceedingly ill-behaved children. The children, led by the oldest boy Simon (Sangster), have managed to drive away 17 previous nannies and are certain that they will have no trouble with this one. But as Nanny McPhee takes control, they begin to notice that their vile behavior now leads swiftly and magically to rather startling consequences. 98 minutes.

The New World (PG-13) Colin Farrell, Michael Greyeyes, Christopher Plummer, August Schellenberg, Wes Studi. Terrence Malick once again explores cultural schisms in mesmerizing, heartbreaking ways, with the environment itself - trees, wind, water - as much a character as his human actors. This time, he re-imagines the relationship between Capt. John Smith (Farrell) and Pocahontas (Kilcher) in Jamestown in 1607 (and beyond). It's not fair, though: the Naturals (as the English called them) are at home in the wild, at one with nature, while the pasty white Englishmen are soon nothing but bags of pitiable bones. Beware: You may not only be inspired to turn off your cell phone, you may end up throwing it away. 135 minutes. - Jim Poyser

Roving Mars (G) A giant-screen IMAX visualization of an amazing story that is still going on. On the surface of the planet Mars right now - right this very second - there are two manmade robotic vehicles capable of navigating the rocky surface. Powered by solar panels, they explore the red planet, sending information back to eager scientists on Earth. Steve Squyres, lead science investigator at the NASA/Jet Propulsion laboratory, provides commentary for the 40-minute Disney film, recounting the fascinating story of the building, launching, landing and tasks of the space rovers Spirit and Opportunity. The film uses extensive computer animation to present the travels of the separately-launched rovers. Especially fascinating are segments depicting the separation stages following the launches and the complicated - and quite cool - landing procedures. 40 minutes. At the IMAX Theater in the Indiana State Museum through June 8. - EJO

Transamerica (R) Felicity Huffman, Kevin Zegers, Fionnula Flanagan, Elizabeth Pena, Graham Greene, Burt Young, Carrie Preston. Felicity Huffman of Desperate Housewives shines as a preoperative transsexual forced to take a cross-country road trip with a sullen 17-year-old (Zegers) who has no idea that the woman behind the steering wheel is his father. First-time feature writer-director Duncan Tucker lays it on a bit thick (Note to the filmmaker: Too many quirky characters in one place can wear out the viewer.) and he stretches credulity awfully thin, even by road movie standards (wait until you see how long it takes Toby to figure out who Bree really is), but his missteps are easy to forgive. Transamerica is a sweet, tender and funny look at two people trying to find out where they fit in the scheme of things. 103 minutes. - EJO

Something New (PG-13) Sanaa Lathan, Simon Baker, Mike Epps, Donald Faison, Blair Underwood. If love is an adventure, it's one yet to be embarked upon by Kenya Denise McQueen (Lathan). A beautiful L.A. career woman, Kenya works as a senior manager at a prestigious accounting firm, and is on the verge of making partner. But she has yet to find her own partner and a fulfilling personal life. It's not that she's stopped looking; her (mental) checklist is at the ready. After another Valentine's Day spent working late, Kenya agrees to a blind date with Brian Kelly (Baker), a sexy and free-spirited landscape architect who turns out to be not exactly what she'd pictured for herself. 100 minutes.

Syriana (R) George Clooney, Matt Damon, Jeffrey Wright, Chris Cooper, William Hurt, Mazhar Munir. Stephen Gagham, who wrote Traffic, is the screenplay writer and director of Syriana, a multilayered geopolitical thriller based on the book by Robert Baer. Critical response to the movie has been rapturous, which you may want to bear in mind when I tell you that I found the movie overcomplicated and emotionally distant. Oh, and glib. There are many interesting moments and a few of the major scenes play out well, but for most of the film, I was too busy trying to remember who was who and how they related with each other to fully experience the movie. Either Syriana is overly dense or I am. 127 minutes. - EJO

Underworld: Evolution (R) Kate Beckinsale, Scott Speedman, Bill Nighy, Tony Curran, Derek Jacobi. The sequel to the 2002 underground hit of vampires and werewolves at war comes straight on the heels of another vampire apocalypse flick, BloodRayne. It's considerably more competently carried out than that particular disaster, and yet somehow less entertaining. Just a couple of superheroes, a couple of supermonsters and ultraviolence. Works well enough, I suppose, but when you go in with more subplots than Traffic you sort of expect them to pay off somehow. 106 minutes. - Paul F. P. Pogue

Walk the Line (PG-13) Joaquin Phoenix, Reese Witherspoon, Ginnifer Goodwin, Robert Patrick. Dramatization of the life of music legend Johnny Cash (Phoenix) up to his landmark 1968 performance at Folsom Prison, with emphasis on his substance abuse and his tumultuous relationship with singer June Carter (Witherspoon). The film boasts rock-solid direction by James Mangold, well-chosen music by T-Bone Burnett, an authentic look and a fine supporting cast, but it's the terrific performances by Joaquin Phoenix and Reese Witherspoon - who do their own singing! - that knock this one out of the park. Walk the Line is a big, juicy film that works as well as a love story as it does as a biography. 136 minutes. - EJO

When a Stranger Calls (PG-13) Camilla Belle, John Bobek, Molly Bryant, Madeline Carroll, Katie Cassidy. A young high school student's babysitting gig ends in a nightmare when she receives mysterious phone calls at the house to check on the children, only to find them dead. Years later, the traumatized woman must fight for her life when the stranger starts calling for her. 83 minutes.

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