Ed reviews 'Tower Heist'

Left to right: Ben Stiller, Matthew Broderick, Michael Pena, Casey Affleck, and Eddie Murphy plan the perfect crime.


Tower Heist Showtimes

At the end of the sneak preview I attended for Tower Heist, the audience gave it a

hearty round of applause. The caper film is a crowd-pleaser. I enjoyed some of

it, but wasn't nearly as enthused as most of the crowd.

Directed by Brett Ratner (the Rush Hour movies, X-Men: The Last Stand), the setting for the

story is The Tower, the most expensive residential high rise in New York City.

Dante Spinotti offers some impressive camera work, starting with the opening

shot of Ben Franklin's face on the bottom of a penthouse pool. His rich images

of NYC and The Tower establish a beguiling tone.

Alan Alda plays penthouse dweller Arthur Shaw, a Bernie

Madoff type who gets popped for swindling a mind-boggling amount of money.

Before that, though, we meet the other key players in The Tower. Ben Stiller is

Josh Kovacs, the building's general manager, a dedicated leader and a nice guy.

Stiller plays the straight man for most the movie, giving his most likable

performance in years. Front desk clerk Charlie (Casey Affleck) is anxious over

his wife's pregnancy. He's a lovable screw-up. New hire Enrique (Michael Pena)

is naive, enthusiastic and amusing. Lester (Stephen McKinley Henderson) is the

charming grandfatherly doorman, and Odessa (Gabourey Sidibe, very appealing) is

a highly-confident maid from Jamaica. And then there's bankrupt investor

Fitzhugh (Matthew Broderick, agreeably sad sack), who is about to be evicted

from The Tower.

The set-up: After establishing The Tower as a vibrant,

incredibly plush facility with a great staff, Arthur Shaw gets popped by the

FBI, led Special Agent Claire Denham (Tea Leoni, sporting an earthy accent and

lots of style), and everything turns upside down for the staff. A well-meaning

Josh turned everyone's retirement funds to Shaw for investing, and the money is

all gone.

Which brings us to the caper: It is believed that Shaw has a

massive amount of cash hidden in case of emergency. Josh decides to steal the

money to take care of the ripped-off staff, enlisting the help of every cast

member I've mentioned except for Alda and Leoni. Finally, around 40 minutes

into the film, Eddie Murphy enters the action as a neighborhood hothead known

as Slide. We learn that Josh and Slide knew each other as children, a promising

bit of information that is mined for only a few laughs. More important is the

fact that Josh feels the heist team needs a real criminal to advise them and

Slide is the only one he knows.

Eddie Murphy pops and crackles in his role - it's so nice

seeing him play a fiery character again - then, when everything gets rolling

really well, he just kind of disappears for a while. The handling of the

character is one of the frustrating aspects of the screenplay, the product of

several writers.

The credibility issue is a factor. I realize you have to

suspend disbelief for this kind of movie, but not for one second did I believe

any of these characters could do any of the things we see them do. For Pete's

sake, because Odessa is the daughter of a locksmith, she is able to

effortlessly crack one of the toughest safes in the world. The overall heist is

equally bothersome. Again, suspension of disbelief - I get that - but the

scheme presented here would have been rejected as implausible by Wile E.

Coyote. Hell, a key plot point involves lowering a large object down the side

of the building's penthouse while the Macy's Thanksgiving parade takes place

below - gosh, I hope nobody standing on the street looks up.

I wasn't crazy about the resolution of some of the

character's relationships either, but let's wrap this up in as positive a

fashion as possible. If you're in the mood for light entertainment (and

tolerant of a plot that makes no sense), Tower

Heist offers good camera work, an appealing cast, a number of funny moments

(a shoplifting scene is a highlight) and a solid sense of urgency during the

heist, courtesy in large part by Christophe Beck's jittery score. You could do



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