3.5 stars; rated PG-13
Real Steel starts off smart. It opens in rural
America, scanning the countryside before moving to a carnival in a small town.
The year is 2020, but everything looks about the same as now, except for the
boxing robots, and even they look weathered enough to fit in. By adding one
unusual element to a familiar landscape, director Shawn Levy and company
effectively ease you into their world. Once you've accepted boxing robots as
part of the norm, it's easy to swallow what comes with them.
Real Steel is bombastic, cheesy and
packed with clichés, but you don't mind ... well, I didn't mind, because boxing
is filled with larger-than-life figures, bombastic speechifying, macho
posturing and big bad action.
battling robots are the eye candy, but the main storyline involves a lousy
father (Hugh Jackman) and a spunky son (Dakota Goyo). There's also a plucky
romantic interest (Evangeline Lilly from Lost),
but the heart of the film is in the father-son dynamic. Jackman, looking great,
plays a real son of a bitch. Young Goyo is a little too slick, but the two work
That's the thing
about Real Steel. You recognize it as
a hodgepodge of elements from other sources, a high-calorie Rock 'Em Sock 'Em Rocky with a dollop of The Champ, rolled up in panko Transformers crumbs, then deep-fried and
served with comic-book dialogue and blaring music. It's shameless and it's fun.
And the filmmakers pulled me into the high-octane hooey with their picturesque
Ray Bradbury-ish opening. Pretty impressive.