IVCI Romantic/Post Romantic Finals - day one


Without going back and checking, I believe Friday's was the

first IVCI concert where nothing was repeated from start to finish--at least in

a single concert day.  

The explanation is simple: In the Romantic/post Romantic finals

each finalist plays only one concerto.  And if they happen to have picked

different ones from the two others for that evening's repertoire choices . . .

need I say more?

As with the Classical finals, U.S.

player Tessa Lark began Friday's program, this time with Sir William Walton's

Concerto for Violin and Orchestra (1939). To go with performing tradition, Lark

unfurled her tone, like an eagle spreading its wings, to a full, rich, yet well

contained vibrato.  She

made a beautiful sound throughout this thorny, complex, three-movement work.  And it's almost

unnecessary to mention her technical skills at weaving her way through this

mostly rapid sound thicket. 

A violin beautifully played can make anything sound beautiful.

Lark proved it.

Jinjoo Cho, the first of five S. Korean women, followed with another work new to the IVCI: Erich

Korngold's Violin Concerto in D, Op. 35 (1946), well known for borrowing music

from some of his famous film scores.  This was one of Cho's better accounts,

with her fingerwork never straying into adjacent pitches.  Yet she failed to project Tessa Lark's

smoothness, her vibrato sounding more like a series of interrupted tremolos.  Her rapid display

passages in the third movement were occasionally roughly executed.  But Cho gave us top

notch technique in sharing some of Korngold's film music.

It remained for Ji Yoon Lee to provide us with a repertoire

standard with the Tchaikovsky Violin Concerto in D, Op. 35, to end the program.  To start we heard

more interrupted tremolos as with Cho, these segueing into  nervous vibrati.  Though her lovely, muted second

movement theme was roughly executed, her third movement vibrato was smoother,

accompanied with excellent staccato work with good dynamic and tempo nuances.  Her playing had

been similar in the preliminaries and semis.

On Saturday we hear the last three finalists: Ji Young Lim,

Yoo Jin Jang and Dami Kim playing respectively the concertos of Brahms,

Tchaikovsky and Sibelius. 

Following the latter, at about 11

p.m. the laureates will be announced probably in reverse order from

the following: the gold medalist, the silver medalist, the bronze medalist and

the fourth, fifth and sixth-place laureates--the high point of the two-week

event. Sept. 19; Hilbert Circle Theatre 


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