With a pair of new albums last year and two more on the way, Bobbie Lancaster may have - after a few twists, turns and roadblocks - finally found her road home. She's finished recording her first solo album, a second children's CD, and along the way, developed a gutty yet sweet stage persona.
Her haunting vocals on "I'm On Fire" as part of this summer's Tim Grimm-organized "Hoosier Springsteen" concerts made the short, brooding song one of the best performances of the show. The Bloomington singer has a bouncing, smiling, in-the-moment stage presence; she can crank it up like Sheryl Crow and Bonnie Raitt, and engage a crowd with her subtle stage charms. Watching Lancaster is watching a woman who knows her strengths and power, but is only beginning to refine and unleash it.
"I was scared to death," she says of the shows, talking on the phone from her Bloomington home. "We had a rehearsal and I just felt I had to get in there and give everything I had. And at the end of the gig, I felt really good about my performance and overcoming that little confidence hurdle I had before the show."
Lancaster jumped over that hurdle and right into Bloomington's Farm Fresh Studios, where, in September, she laid down tracks for her upcoming solo release with a band brewing a stew of rootsy, Americana music.
"I have cried and squealed with joy so many times that I think they (the band) are worried about me. It's the most incredible thing to hear these songs I wrote on a mandolin be brought to life," Lancaster says.
This new record will come a little more than a year after she released a catchy preschool-focused children's album (Bobbie Lancaster's Little Folks
) and On with the Show
, an album by Stella & Jane, her Americana duo with fellow Bloomingtonian Stella Suzette Weakley.
The Stella makes sense, by who's Jane? Well, Jane is Lancaster's middle name. But then, using a middle name isn't the quickest way to wider recognition, right? Maybe Bobbie wasn't ready to come out from behind the one-name middle-name anonymity when she formed the duo? Things seem to have changed.
"I am looking forward to focusing on doing more solo stuff. It's where I feel led to go right now," she says. "Every CD I have done has been with a group and a compilation of different writers. I have probably 50 or 60 songs that I've just been sitting on, plus have written seven new songs since May - I have just had a nice creative spurt lately."
As happens with most good stories, it hasn't been a simple process to wind up where talent and opportunity intersect.
From the beginning
Some 25 years ago, Bobbie Jane Lancaster's mother and father had her take piano lessons, from kindergarten until fourth grade. She'd always had the gift to be able to sing, even earning a full ride scholarship in music vocal performance to Indiana University. But she lost the full ride and the scholarship.
"I was so young when I went (to IU), I wish I had a better grip on myself at the age that I went to college," she says. "But I didn't and I gave that up, not really realizing what a gift it was to get that scholarship."
She ended up going to Vincennes University, held three jobs, and started singing in a coffee shop when she was 19.
"That's when I first found my own voice," she remembers.
She has spent the past five years starting a family and playing music, first with a Bloomington blues band called Code Blue, and more recently, with musical partner Weakley.
"I was a real estate broker for about seven years and actually got fired by some guy," Lancaster admits, recounting how she and Weakley got together. "I had never been fired in my life and was shocked. I called Suzette - I had met her just once before - and went to work at a real estate company she owns."
The two started playing music together. Weakley essentially served as Lancaster's mentor, musical partner and teacher. Bobbie started by singing some background vocals when the two met at Weakley's house.
"She had a little Contessa mandolin in her basement and said 'Why don't you pick this up, I'll show you a few chords and see what you want to do with it.' When I picked up a mandolin, it just felt like I had been holding it forever," Lancaster says.
"She taught me three chords, and I went home that night and I played until my fingers couldn't stand it anymore. Then I iced them and I kept playing."
On the Stella & Jane album (with help from multi-instrumentalist and songwriter Jeff Foster), Lancaster's singing shines on the self-penned CSNY-ish "The Rain," the bluesy, sassy, Hammond B3-drenched "Fast Car" and especially on "Low Down," a shorter than three-minute pop-rocker that hints at a healthy John Hiatt influence.
About her new solo work, Lancaster says, "I have been really open with everybody in Stella & Jane. I have their support. We just all care about each other an awful lot, and I think by being open and honest makes those conversations easier. I think they both understand I am just coming into my own right now."
Lancaster says she wants to have the album out before February, when she travels to the Memphis Folk Alliance.
Lancaster's newest children's album is a live recording of a recent performance on Bloomington community radio station WFHB. Children's music is a burgeoning part of her musical career, and includes weekly musical sessions at four different preschools and appearances at Central Indiana public libraries, performing for kids and parents.
"I know what I want, I'm happy with what I'm writing, and these amazing people have shown up in my life and wanted to help me do this," she says, referring to her studio band, led by Scott Kellogg, "I'm feeling the love right now."