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Only Lovers Left Alive: Vampires vs. zombies 

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In Jim Jarmusch's Only Lovers Left Alive a depressed vampire looks with disdain on humanity. He refers to people as "zombies." Once upon a time, vampires were monsters that hid in the dark, emerging to suck the blood from the living. But perspectives changed over time.

Now vampires are romantic figures: wise, refined and tragic in the grooviest way, while zombies - us - contaminate the waters and taint the blood supply. Zombies lumber across the landscape - clothing in tatters, bodies falling apart, ravenously seeking "Brains! BRAINS!!," mostly likely because they - we - don't have any.

Is that the statement Jarmusch is making? Maybe. Maybe he's just dicking around. Certainly he is offering a portrait of long-time love at least as interesting as Robert Michell's recent Le Week-End. Whatever he's doing, it looks great.

My original plan for this essay was to not mention the word vampire until the last couple of paragraphs. I intended to draw you in by focusing on the hipster couple played by Tom Hiddleston and Tilda Swinton, then surprise you with the fact that they were vampires. But I liked the vampire/zombie comparison better and decided to lead with that. I wonder how many readers rolled their eyes and turned their attention elsewhere when they saw that the film is, technically, yet another vampire flick?

Which brings us to what would have been the beginning of this piece. Adam (Hiddleston) and Eve (Swinton) have been a couple for ... for long enough that one of their friends is Christopher Marlowe (John Hurt). Yes, that Christopher Marlowe.

Eve currently lives in Tangier, where she immerses herself in literature, drifting the dark streets and savoring the minutiae of the city. She visits with Marlowe and they sip "the good stuff" out of crystal glasses and chat. She is thin, pale and both warm and cool.

Adam currently resides in what's left of Detroit. The lean, pale, long-haired figure makes engagingly dissonant music on his guitar. An eager-to-please fan named Ian (Anton Yelchin) is his Renfield, taking care of Adam's outside needs. Recently Ian was tasked with commissioning a bullet made with a hard wood center for his master. Sad Adam steps out on his own sometimes, securing his blood from Dr, Watson (Jeffrey Wright) at a blood bank.

Sensing Adam's depression, Eve travels (via night flights) to Detroit to care for her lover. They fuck, dance, eat blood popsicles and go clubbing, driving by Jack White's childhood home along the way. Then Eve's annoying teenage sister Ava (Mia Wasikowska) comes to visit and spoils the fun.

The story is thinner than the vampires, but the music is good, the atmosphere is rich in decadence and the acting is flawless. The tone may be hipster to the nth degree, but the characters are so specific that the film feels personal. I suspect some viewers will find the goings-on pretentious, boring and irksome.

I wanted to reject the film, but I liked spending time with these creatures. I enjoyed visiting their wistful world and watching their love rise above the malaise. Only Lovers Left Alive is slight, gloomy, romantic, weirdly funny at times and sweet in its own twisted way.

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Only Lovers Left Alive
Rated R · 123 min. · 2014
Official Site: sonyclassics.com/onlyloversleftalive
Director: Jim Jarmusch
Writer: Jim Jarmusch
Producer: Reinhard Brundig and Jeremy Thomas
Cast: Tom Hiddleston, Tilda Swinton, Mia Wasikowska, John Hurt, Anton Yelchin, Jeffrey Wright, Slimane Dazi, Carter Logan and Wayne Brinston
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What others are saying (13)

L.A. Weekly Jim Jarmusch's Vampire Movie May Be His Best The vampires that walk among us — and they do — are not the Twilight kind, or the True Blood kind, or even the Buffy kind. In the world of Jim Jarmusch's Only Lovers Left Alive, the director's most emotionally direct film since Dead Man and maybe his finest, period,... by Stephanie Zacharek 04/10/2014
Colorado Springs Independent Only Lovers Left Alive, a vampire commentary, is Jim Jarmusch's best film in years Jarmusch has a blast re-contextualizing genre rules we knew by heart. Here, he infiltrates the bloodstream of the "vampire movie" with a deadpan critique of cultural vapidity. by Daniel Barnes 05/28/2014
10 more reviews...
East Bay Express Only Lovers Left Alive All dressed up and no place to go. by Kelly Vance 04/29/2014
Creative Loafing Charlotte Only Lovers Left Alive: Detroit Rock City Rating: ***1/2 by Matt Brunson 05/09/2014
Memphis Flyer Only Lovers Left Alive by Addison Engelking 05/15/2014
Portland Mercury Hipster Twilight Only Lovers Left Alive and only cool vampires allowed. by Elinor Jones 04/30/2014
Gambit Review: Only Lovers Left Alive Ken Korman finds lots to like in Jim Jarmusch’s vampire tale set in Detroit by Ken Korman 05/12/2014
Creative Loafing Atlanta Only Lovers Left Alive goes on a lost vampire weekend Tilda Swinton and Tom Hiddleston play married vampires as reclusive celebrities in Jim Jarmusch's latest film by Curt Holman 05/01/2014
Indy Week Stylish vampire romance in Only Lovers Left Alive The new film from Jim Jarmusch by Glenn McDonald 05/14/2014
Charleston City Paper You won't find the celebrated Boyhood on this list of 2014's best A calendar year is as arbitrary a way to recognize greatness as a numbered list is, especially in an era when so many people see movies in places other than theaters and in years other than the year of their release. by Scott Renshaw 12/31/2014
Boise Weekly Beauty Times Two: Only Lovers Left Alive and Belle Now playing at The Flicks by George Prentice 05/14/2014
East Bay Express Only Lovers Left Alive All dressed up and no place to go. by Kelly Vance 04/22/2014

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