A couple concerts will put you in the thick of it downtown this weekend: Florence + the Machine, whose Monday night set should be punctuated by fireworks, and the three-day Rock and Roll BBQ, a showcase for mostly creaky rock bands that will play to different generations, depending on the night. More about both below, plus a Civil Wars in-store, Smokey Robinson's visit to a horse track and a free show at Sun King.
Thursday
Bear Hands at Sun King Brewing Company
This week’s cheapest show, hosted by My Old Kentucky Blog. The first 150 guests will get a complimentary copy of MOKB Shuffler, Vol. 2, which features artists playing MOKB Presents shows this summer. Admission is free, regardless of when you show up. But beer is not free, no, never. Brooklyn indie rockers Bear Hands will provide tunes. 6 p.m., free (but ticketed, follow instructions to obtain tickets), 21+.
Los Lonely Boys at The Vogue
The three brothers Garza continue to expand upon their core Tex-Mex rock sound on their latest album, Rockpango, which moves with ease from a hard rock opener critical of our inability to get along together (“American Idle”) to a mellow, funky acoustic ballad about the power of love (“Fly Away”). 8 p.m., $20 advance, $24 door (plus fees), 21+.
Days of the Dead kickoff show at Melody Inn
A few stars will get into town early to play this opening concert for this weekend's Days of the Dead horror festival. No, we're not talking Gary Busey or Ed Furlong, who will show up for the festival proper Friday. More like Ari Lehman, the guy who played Jason in the first Friday the 13th movie and who now leads a horror rock group appropriately titled First Jason. 9 p.m, $8, 21+.
Friday
The Civil Wars at Earth House
It’s been a busy couple years for Civil Wars, the girl-and-guy indie-folk duo whose debut record placed in the top ten on the Billboard Top 200, in large part due to buzz from all over the map, including tweets by country-pop superstar Taylor Swift and raves from the indie blogosphere. For more, check out Rob Nichols's interview with the duo. Concert at Earth House, 6:30 p.m., sold out, all-ages. Free in-store at Luna Music, 5:30 p.m., not ticketed, all-ages.
Laurie Morvan, Gene Deer at 8 Second Saloon
Illinois-born guitarist, singer and songwriter Laurie Morvan returns to the Midwest to celebrate the release of her new album Breath Deep. Her mixture of rockin' blues guitar and soulful vocals should please blues fans and 8 Seconds regulars alike. With three local openers, including hard-working acoustic blues dude Gene Deer and the Frank Dean-fronted Snakehandlers Blues Band. 7 p.m., $12 (plus fees), 21+.
Saturday
Mötley Crüe, Poison, New York Dolls at Verizon Wireless Music Center
Hugely influential proto-punk group New York Dolls, reunited since 2004 and still actively writing new material, might be the best reason to check out this metal nostalgia concert at VWMC. (For more, find your way to Nick Selm's interview with Dolls guitarist Sylvain Sylvain.) The Crüe attempted a return to form on 2008’s Saints of Los Angeles, which was received as competent but mostly irrelevant. And the Bret Michael's reality show empire overshadows his old band Poison these days. 7:30 p.m., $25-$99.50 (plus fees), all-ages.
Smokey Robinson at Hoosier Park
Septuagenarian though he may be, the general verdict is that Smokey’s still got it. He still has that smooth falsetto that can raise a quiet storm like nobody’s business. He still has the energy for a Vegas-style stage show, replete with costume changes and backup singers. And he keeps his work fresh, even the classics. The highlight of Hoosier Park’s Summer Music Track concert series. 7:45 p.m., $24-$68 (plus fees), all-ages.
The Coathangers, Deezen, Thee Pernicious Unicats at Radio Radio
Pitchfork filed a favorable review (7.6) of The Coathangers’ latest, this year’s Larceny & Old Lace, pointing out that while the Atlanta-based post-punk group may have formed as something of a joke, they’ve learned their craft over the course of five years. With Deezen (featuring Craig Bell of Rocket from the Tombs and The Down-Fi) and Thee Pernicious Unicats (long-time mod aficionado Mike Shimmercore on vocals). 9 p.m., $6, 21+.
Weekend
Rock and Roll BBQ
Our city’s newest rock ‘n’ rib festival will feature sets by Charlie Daniels and Kentucky Headhunters (Friday), Puddle of Mudd and Saving Abel (Saturday), and Soul Asylum and Gin Blossoms (Sunday). Rib Fest better watch its back. Note the affordable early admission price. In the west parking lot at Victory Field. July 1-3, 11 a.m.-11 p.m.; July 1, free before 6 p.m., $8 after; July 2-3, free before 2 p.m., $8 after; discounts for children; all-ages
Monday
Florence + the Machine, Hanni el Khatib at The Lawn at White River State Park
Much like her fellow countrywomen Amy Winehouse and Lily Allen, Florence Welch mixes a lot of blues into her punk anthems, which have reached charts on both sides of the ocean since 2009. She’s been nominated for a trunkload of best newcomer-type awards in the past three years, winning a few lesser-profile ones while being passed over for this year’s Grammy for Best New Artist. 7 p.m., $25-$25 (plus fees), all-ages.

Jones’s musicality showed a deep sense of the blues guitar tradition and a touching degree of originality. In adding his own feelings to the provided backing track, he brought both a personal story and a clear vocal line to his performance, closing with a lovely hopefulness to show he understands the intent of the blues — it’s not what gets you down; it’s what lifts you up that’s essential.
“I tried to turn it from a backing track into a piece of music that’s mine and not just be playing notes,” said the 22-year-old Jones. “I’ve experienced some struggles. “It hasn’t been easy. It’s taken a lot of practice. I’ve done a lot of homework about the tradition of the blues. I’m trying to channel my voice through the guitar. It’s second nature now, but it’s meant losing a lot of social life since about age 14. It’s been a lot of sacrificing, and yet it’s a blessing to have made it this far.”
Jones said he emulates his father, whom he admires as a blues guitarist, and equally cites his mother’s influence as a vocalist.
And what’s his vision for the future? “I just want to play my notes for the world,” he said. “I write my own music — blues, soft elegant stuff.”
Clayton Mitchell, Guitar Center Indianapolis sales manager, introduced each of the contestants as a winner for having come this far. They include Grant Alexander (Lebanon, Ohio), Mark Sowers (Vandalia, Ohio), William A. Littleford (Erlanger, Ky.). Paul Bays (Indianapolis), George Conner (Fort Wayne, Ind.), Daniel France (Madisonville, Ky.), Alan Linton (Greenwood, Ind.), Timothy Wayne Readnour (Danville, Ky.) and Duane Rust (Shepardsville, Ky.).
The judges were Indianapolis-based blues guitarists Evan Mitchell, Matt Ley and Michael Osborn.
More at www.guitarcenter.com
No matter where The Downtown Struts end up living, they will always consider an Indianapolis gig a homecoming show. The four-piece, currently moored in Chicago, is gearing up for a tour kick-off at Rock Lobster on Thursday.
“We grew up on the Northside of Indy” explained drummer Zach Byrne in a phone interview, “Dan (Cooper) and I started the Struts when we were 16. Still in high school. We sounded way different back then.”
After a few years of playing house parties around Indianapolis, the Cooper and Byrne decided to pack up and try their luck in Chicago. “We wanted to see what we could do in a bigger music scene.” said Byrne. “We also just wanted to get away from where we had grown up.”
While the band looked for new inspiration in a new city, they stumbled upon two Chicagolanders, Ryan Walsh and Ben Hjelmstad, who filled in some of the gaps in the band. And then, just as soon as they had settled in Chicago, it was time to move again.
Next, the band found themselves living in Phoenix, AZ together. “We didn’t really play many shows in Arizona”, Byrne said frankly, “maybe only two house shows in the time that we were there.” While the band might not have been moving any merch or winning over any new fans in Arizona, they were using their experiences traveling from city to city to help refine their songwriting style and develop their sound.
“We spent most of our time in Phoenix just writing” said Byrne. “When we had started out playing in Indianapolis, we played mostly punk rock stuff ‘cause that’s what we were all listening to. But as were moved around and grew as a band we started experiencing different things and meeting new people and listening to different music. We started listening to a lot more straight rock ‘n’ roll and our music started to reflect that.”
After a year in Phoenix, the Struts headed further west to San Francisco where they continued not only writing music but playing it. Their time in San Francisco ultimately yielded a friendship with modern punk princes Dead To Me.
After a few months in SF, the band finally settled back in Chicago. From Chicago they are heading to Indianapolis to launch their summer tour. “We kind of have this reputation in Indianapolis” said Byrne “of appealing to solely the Johnny Thunders kind of punks. I see what that’s all about and I appreciate that those kids come out to our shows and support us so much but we’re not trying to make music for any specific scene or crowd. We don’t really like being stereotyped or pigeonholed like that. Dan and Ben are the main songwriters and their biggest influences are early Bruce Springsteen, Tom Petty and Paul Westerberg. I think those are some fairly diverse influences.”
At the end of the day, however, Byrne doesn’t feel like he needs to explain his band to his critics. “I always love playing Indy and I love seeing all my old friends come out and watch us but I really don’t care about people liking us or not. That’s really out of our control and we are just fine with that.”
The Downtown Struts
w/ The Perennials
Thursday June, 30
@ Rock Lobster
FREE, 21+, 9PM
A Middletown reunion show will be July 2 at Flat12 Bierwerks, beginning at 7:30pm.
Aaron Stroup, Stasia Demos and Tad Armstrong are getting the band back together for one night. The Indianapolis Americana band is one worth checking out this holiday weekend. Their 2007 debut album Welcome to the Family was produced by Vess Ruhtenberg and Lon Paul Ellrich over eight days at the duo's Queensize Twin Air studio in Indy. Guest performances pm on it included Peter Holsapple (REM, the dbs, Continental Drifters) on mandolin and organ. The band was (and still is) one of the best roots bands to come out of Indy in the past decade, and the reunion show is a nice surprise for fans of the genre...
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'Rave On Buddy Holly' gets released in stores and online this Tuesday. Amazing collection of re-imagined Holly classics that show just how good he was. Best of the bunch is McCartney, Kid Rock, Cee-Lo, Lou Reed and Justin Townes Earle. Most of the songs are nicely different from the original, with the spirit fully intact.
The full album can be streamed online at Stream.RaveOnBuddyHolly.com.
Tracklist for 'Rave On Buddy Holly
01 The Black Keys: "Dearest"
02 Fiona Apple and Jon Brion: "Every Day"
03 Paul McCartney: "It's So Easy"
04 Florence and the Machine: "Not Fade Away"
05 Cee-Lo: "(You're So Square) Baby, I Don't Care"
06 Karen Elson: "Crying, Waiting, Hoping"
07 Julian Casablancas: "Rave On"
08 Jenny O.: "I'm Gonna Love You Too"
09 Justin Townes Earle: "Maybe Baby"
10 She & Him: "Oh Boy"
11 Nick Lowe: "Changing All Those Changes"
12 Patti Smith: "Words of Love"
13 My Morning Jacket: "True Love Ways"
14 Modest Mouse: "That'll Be the Day"
15 Kid Rock: "Well All Right"
16 Detroit Cobras: "Heartbeat"
17 Lou Reed: "Peggy Sue"
18 John Doe: "Peggy Sue Got Married"
19 Graham Nash: "Raining in My Heart"

Dreamers of the Ghetto, a fledgling family band from Bloomington that's drawn attention from labels both local (Roaring Colonel) and not (Brooklyn's Temporary Residence), got some help from some friends in, er, high places this week.
This week's episode of Shaking Through, a web series that gives up-and-coming bands the chance to record a new song in a high-end recording studio, is devoted to Dreamers of the Ghetto, who recorded the song "Heavy Love" during a two-day session at Philadelphia's Miner Street Studios. They were picked for the series, produced by Philadelphia station WXPN and non-profit Weathervane Music, by guest curator Ben Swanson, co-founder of Bloomington indie Secretly Canadian.
In a press release issued by Shaking Through, Dreamers singer and bassist Luke Jones noted that the video chronicles the first time the band embarked on "a legitimate recording project." "Heavy Love" will become the B-side to the band's upcoming seven-inch on Roaring Colonel.
Swanson, who was asked to pick any band that didn't happen to be on Secretly Canadian, chose Dreamers of the Ghetto on the strength of their performance at a basement show in Bloomington. Here's his take on the Shaking Through series, from the same press release: "I think it's an amazing idea. It's great for a band to just be able to go into the studio for 2 days to do one song and have that focus. The way [Shaking Through] is structured is so valuable for a young band because it shows them this other super effective working method for the creative process."
The video for "Heavy Love" is below. Shaking Through also released a bonus video, showing Luke Jones recording his vocals for the song in a single take. We'll follow this story as it develops, by which I mean a profile in the band is the works.
Shaking Through Vol 2 Episode 6 - Dreamers of the Ghetto from Weathervane Music on Vimeo.
Thursday
Junior Boys, Miracle Fortress at White Rabbit Cabaret
Ontario-based electro-pop duo Junior Boys simplified things a little on their latest album, this year’s It’s All True, which opened with a gesture towards high-concept ‘80s synth pop (the busy, aggressive but well-balanced “Itchy Fingers”) before settling back into a low-key, hook-y, bedroom pop sound that has always been one of the band’s core modes, even as it co-existed with a taste for contemporary R&B and Kraftwerk-style techno on past records. 9 p.m., $12 advance (mokbpresents.com), 21+.
Friday
Jookabox, Doog, Oreo Jones, DMA at Earth House
Word came down the pike in early February that Jookabox was no more, having broken up a couple months in advance of their final record, Eyes of the Fly, which released without a whole lot of fanfare in April on Asthmatic Kitty, for it is hard to drum up much attention without a release show. The band was always centered around David “Moose” Adamson, who has moved on from Jookabox to record as a solo artist under another name, DMA, derived from his initials. His first album as DMA, Drem Beb, releases in a limited, cassette-only run this Friday on Joyful Noise Recordings, at a release party at the Earth House that will also feature the final performance by Jookabox. Think of it as a funeral and an, er, bris — or christening, or whatever secular version of a birth celebration you people are celebrating these days. I chatted with Adamson this week about Jookabox's breakup and his new projects: have a gander at the results, if you're so inclined. 7 p.m., $5, all-ages.
The Last Good Year, Goliathon, The Glass Identity Crisis at Birdy’s Bar and Grill
A hard rock showcase headlined by 2007 Battle of Birdy’s champions The Last Good Year, who will record their performance for a live album. With fellow locals Goliathon and The Glass Identity Crisis. 8 p.m., $5, 21+.
Margot and the Nuclear So and So’s, Vacation Club, Caleb McCoach, Adam Kuhn at The Vogue
The guys in the Indy-born, now Chicago-based indie-rock band Margot and the Nuclear So and So’s were disinclined to go the direct-funding route before this year. Here’s how they put it on their pledgemusic.com page, in a letter signed by the imaginary Margot: “In the past, we haven’t attempted this model because, quite honestly, a lot of the campaigns we saw felt disingenuous and at times, distasteful.” But they finally came around, launching a campaign to raise money for a new record this April, full of the kind of incentives designed to bring the super-fan closer to the band. At the $1000 level, you’ll get the chance to record a two-song single with the band. For $250, band member Erik Kang will play violin or lap steel on your record. The campaign is ongoing at pledgemusic.com; 237 percent of the goal has been raised (!), with plenty of incentives still on the board. 9 p.m., $15 (plus fees), 21+.
Saturday
The Verve Pipe at Eagle Creek Park
If you only remember The Verve Pipe for their single “The Freshmen” — you know, drop your voice down to Scott Stapp territory and croon, “We were merely freshmen” — well, you’d be like a lot of people, but you’d have missed their sort-of left-field turn into the world of children’s music with 2009’s A Family Album, a listenable kids album in the vein of recent work by They Might Be Giants. And so, yeah, that’s why the alt-rock one-hit band is playing Eagle Creek Park at 10 a.m. Saturday morning. 10 a.m., $6, all-ages.
Umphrey’s McGee, Black Joe Lewis & The Honeybears at The Lawn at White River State Park
The Chicago jam band Umphrey's McGee has long enjoyed a huge local following. And they deserve it, not least because the guys in the band are good friends to local bands, having loaned the Twin Cats some gear after the Indy-based group was robbed last year in Chicago. Not to mention that a full-fledged live album, 2007’s Live at the Murat, was recorded at our local temple to the Egyptian gods. With soul dudes Black Joe Lewis & The Honeybears. 7 p.m., $25 (plus fees), all-ages.
The Gateway Show, Indian City Weather at Earth House
No wonder this one is starting so early: J. Brookinz, Grey Granite and the small army of collaborators that brought you two albums worth of pot-themed hip-hop — The Gateway Drug, Vols. 1 and 2 — will perform the entirety of both albums Saturday night at the Earth House. 7 p.m., $5 advance, $7 door, all-ages.
Kenny Rogers at Murat Theatre at Old National Centre
Somewhere between press releases, the title to Kenny Rogers’s latest album, a collection of gospel tunes available exclusively at Cracker Barrel gift shops beginning in April, changed from For the Love of God to The Love of God. That’s really something of a shame, given all the fun I could have had in the Cracker Barrel gift shop, yelling the name of Kenny Rogers’s new album with just enough of an edge as if to make it sound like an expletive, all the time couched in such a respectful setting as to make people think twice, as in, “For the love of God!! Kenny Rogers’s new album is just so terrific, wholesome and filled with the spirit. Holy shit.” 8 p.m., $46.50-66.50 (plus fees), all-ages.
Sunday
The Monkees at Murat Theatre at Old National Centre
It’s not particularly thrilling news to hear that the Monkees are on tour again — they’ve reunited plenty of times over the past couple decades. But there is a fun twist to this year’s setlist: The band will play the soundtrack to their film, Head, in its entirety. A mostly humorless, mostly hitless production released after the TV show The Monkees had ended its run, Head is most remarkable for the way in which it ruthlessly deconstructs the image of The Monkees, who throw themselves off a bridge at the beginning of the film (to the strains of “Porpoise Song”). Read more about the reunion shows — and why The Monkees (the TV show) bears resemblance to Glee — on the other side of this link. 8 p.m., $63-73 (plus applicable fees), all-ages.
Monday
Duke Robillard Band at The Jazz Kitchen
Duke Robillard is a musician’s musician, a walking encyclopedia of music who shares his knowledge on the stage, and one of few artists whose epic solos are worth playing on the radio and seeing live. The guitarist/singer/songwriter was one of the founding members of Roomful of Blues, was a member of The Fabulous Thunderbirds, and has recorded with Bob Dylan, Ruth Brown, Jay McShann and Big Joe Turner, among others. The Blues Music Awards named him Best Blues Guitarist four times in a span of five years. And, to add one more piece to the pie, he’s also one of the most sought after producers in the business, working on albums for such artists as the aforementioned McShann, Jimmy Witherspoon and Billy Boy Arnold. 6:30 and 8:30 p.m., $15, 21+.
Das EFX, Marc Versus & Stone Messiah, Son of Thought, Ace One at Locals Only
While caricatured for their over-use of the suffix “-iggity” to end just about any word, Das EFX strongly influenced hip-hop in the early ‘90s with their rapid-fire, nonsense word-filled style, which included a lot of “diggities,” for sure, but also a dictionary’s worth of inventive neologisms and nonsense words. 9 p.m., $13 advance (brownpapertickets.com), $15 door.
Last week the local music community was buzzing about a video for first single off Oreo Jones's upcoming album Super Model Death Dive. Constructed by local video production team A Million Other Things, directed by Jace and filmed by Nathan Karamanski, the piece boasts more than 20 cameos from local celebrities and Heavy Gun supporters.
The video opens with a long tracking shot, with the camera first exploring the front yard of a house full of people, and then moving inside to discover a well-attended chill session. Is it the Sunday morning after a great house party when people are waking up, shaking off hangovers and discussing brunch? Or is it a Saturday afternoon meet up to pre-game before heading out to a Heavy Gun show?
The video’s second half relocates to the City Market, maintaining the same sense of chillness, but stepping up the activity factor. There’s a picnic, a motor bike and even a choreographed dance scene with Milk’s favorite emcee.
Prior to the video’s debut, Heavy Gun released a couple of “behind the scenes” promo videos to build anticipation and pre-release hype. Check those out below, as well.
Can’t get enough of Oreo Jones? Subscribe to Let’s Do Lunch with Oreo and catch him on his very own cooking show with special guests from around the Indianapolis A&E community.